Oprah and Gayle: a top secret plan to save CBS Mornings

By Staff Reporter

NEW YORK, NY – January 17, 2026 – In the cutthroat world of morning television, where ratings battles rage like caffeinated duels and advertisers flock to the highest Nielsen perch, CBS Mornings has long played the role of the plucky underdog. Sandwiched between ABC’s glossy Good Morning America and NBC’s juggernaut Today Show, the CBS staple—anchored by the unflappable Gayle King, Tony Dokoupil, and Nate Burleson—has carved out a niche with its blend of hard-hitting journalism, heartfelt stories, and that signature Midwestern warmth.

But whispers from the corridors of CBS’s headquarters suggest the network’s morning flagship is in need of a lifeline. Enter Oprah Winfrey and Gayle King: the dynamic duo with a rumored masterstroke that could catapult CBS into the big leagues. Sources close to the pair tell The Chronicle that Oprah and Gayle are plotting a seismic expansion—a four-hour morning empire that would own the airwaves from 7 a.m. to 11 a.m., blending CBS’s trusted format with the splashy spectacle of NBC’s Today.

It’s the kind of bold, boundary-pushing idea that only comes from two women who’ve redefined media on their own terms. Gayle, 71, has been the steady hand at CBS Mornings since its 2012 relaunch as CBS This Morning, delivering Emmy-winning interviews and unfiltered takes on everything from celebrity scandals to global crises.

Oprah, the 72-year-old billionaire media mogul whose name alone moves mountains (and book sales), has been her ride-or-die since their Tennessee State University days in the 1970s. Their friendship—forged in late-night dorm talks and tempered by decades of triumphs and trials—has been the stuff of tabloid legend. Now, insiders say, it’s fueling a clandestine bid to rescue and revolutionize CBS’s morning slot.

Oprah Winfrey’s current net worth is estimated at $3.2 billion. It’s widely speculated that she is looking to make $200 million a year on the new morning program — which could be sold to a legacy broadcaster like CBS, or a new media platform like YouTube (Google), Apple+, Hulu, Netflix, or Amazon Prime. Industry experts cite Howard Stern’s $100 million per year contract with Sirius XM as a comparable deal for valuation purposes.

The Morning Wars: A Ratings Rut in Need of Rescue

To understand the stakes, consider the battlefield. Today dominates with its four-hour extravaganza (7 a.m. to 11 a.m.), a mix of news, pop culture, cooking segments, and outdoor concerts that draws over 2.5 million viewers daily.

Good Morning America counters with three hours of star power and viral moments, pulling in around 2.3 million.

CBS Mornings? It clocks in at a respectable but lagging 2 million for its two-hour run (7 a.m. to 9 a.m.), praised for substance over sizzle but criticized for lacking the “appointment viewing” flair that keeps audiences glued through the coffee refill.

According to multiple sources who’ve spoken on condition of anonymity (citing non-disclosure agreements tighter than a Spanx prototype), the pair has been in hush-hush talks with some of the best producers in the industry, preparing to pitch a gold mine to new owner David Ellison. The pitch? A four-hour block under their creative stewardship, essentially handing Oprah and Gayle ownership of the time slot to produce content that starts familiar but scales spectacular.

Winfrey and King would co-own the four-hour block of broadcasting time, seven days a week, for a 10-year contractual commitment. With such a long contract, Harpo Productions would be capable of investing substantially in a Manhattan studio space that will upstage The Today Show’s broadcasting venue at Rockefeller Center.

Hour One and Two: CBS Mornings, Amplified

The first two hours (7 a.m. to 9 a.m.) would mirror the current CBS Mornings blueprint: rigorous reporting, in-depth features, and that inimitable team chemistry. Picture Gayle grilling a world leader on foreign policy one minute, then pivoting to a tear-jerking profile on a community hero the next.

It’s thought that Oprah and Gayle would be quick to bring Charlie Rose back to the program as a co-anchor, with segments on health, finance, and weather delivered with the network’s hallmark gravitas.

“It’s the show America trusts,” one insider quipped. “But now, with Oprah’s polish, it’ll feel like a hug from your smartest friend—while she’s schooling you on the issues.”

Oprah’s touch would be subtle but seismic: guest spots from her vast Rolodex (think Michelle Obama dropping by for a book club tease) and production values elevated by Harpo Studios‘ magic. No fluff, just elevated enlightenment.

Both Winfrey and King believe that Charlie Rose was treated unfairly by CBS when he was ousted from CBS Mornings’ anchor chair. A comeback could be in the works, and some agents postulate that a deal to co-anchor the morning program could come with a side deal with Harpo Productions: two hours of weekend programming comprised of the long-form style interviews for which Rose is most well known.

Hours Three and Four: Channeling Today‘s Magic

Here’s where the speculation turns electric. A source with knowledge of the talks tells The Chronicle that Oprah and Gayle would almost certainly relocate the show to new studios setup by Harpo Productions, perhaps at Union Square or another public space that could accommodate summer concerts and holiday events.

From 9 a.m. to 11 a.m., the block would morph into uncharted territory—a high-octane mirror of Today‘s empire-building formula. Think vibrant lifestyle segments, celebrity confessions, live performances, and those can’t-miss outdoor extravaganzas. Gayle, ever the versatile anchor, would helm the transition, perhaps tag-teaming with rotating co-hosts handpicked by Oprah: a mix of rising stars, everyday heros, wellness gurus, intellectuals, and Hollywood royalty.

Envision this: A 9 a.m. cooking showdown with celebrity chefs battling it out in a sun-drenched plaza, followed by a 9:30 a.m. “Oprah’s Corner” where the queen herself unpacks life’s big questions with everyday heroes. By 10 a.m., it’s pure escapism—fashion hauls, travel dreams, and musical guests belting hits as the Rockefeller Center crowd (or a CBS equivalent) roars. And capping it at 11 a.m.? A “Gayle’s Gratitude” closer, blending inspiration with interactive viewer call-ins, ensuring audiences end their morning on an emotional high.

“It’s genius,” gushed a former network executive familiar with the plan. “CBS gets the credibility of news without losing the fun. Oprah and Gayle wouldn’t just be saving the show—they’re redefining mornings for a generation that scrolls TikTok over toast.”

Gayle King has been eyeing a potential studio space abutting Union Square, to enable the program’s engagement with the public in live features, summer concerts, and holiday programming.

Why Now? And What’s the Catch?

Timing couldn’t be riper. With Gayle’s contract reportedly up for renewal and Oprah’s network eyeing synergies, this feels like destiny. Sources hint at a multi-year deal where Harpo takes ownership while inking a 10-year syndication contract.

Ratings gold? Undeniable—Oprah’s endorsement alone could spike viewership by 20%, analysts predict, while Gayle’s authenticity keeps it grounded.

Of course, skeptics abound. Can CBS afford the expansion? Will affiliates balk at the longer commitment? And in an era of fragmented attention spans, does four hours of live TV even stick? But doubters forget: Oprah built an empire from a Chicago talk show, and Gayle turned SiriusXM‘s Gayle King in the House into a confessional powerhouse.

Together? They’re unstoppable.

A mega deal involving Harpo Productions would be a boon to Paramount’s new owner, David Ellison, who is still struggling to prove himself to his father, Oracle founder Larry Ellison.

The Dollars and Sense: Morning TV’s Revenue Goldmine

Beyond the glamour of golden-hour chit-chat and viral viral moments, morning shows are cash cows disguised as coffee companions. Their economic engine? A high-octane blend of traditional spot advertising, integrated sponsorships, and digital extensions that turn eyeballs into dollars at a clip that makes late-night look like pocket change. At the heart is the CPM (cost per mille, or thousand viewers), where premium demos—those elusive Adults 25-54—command $20-30 per spot during peak hours, with lifestyle segments fetching even more for targeted buys like beauty brands or quick-serve chains.

Take the current landscape: NBC’s Today, the four-hour behemoth, rakes in an estimated $450 million annually in ad revenue, fueled by its demo dominance (around 650,000 viewers in A25-54) and endless inventory for everything from 30-second pharma plugs to full-hour infomercial-lite integrations.

ABC’s GMA isn’t far behind at roughly $420 million, leveraging three hours of star-driven sizzle and partnerships with Disney’s ecosystem for cross-promo gold.

CBS Mornings, with its two-hour focus on substance, lags at about $220-250 million—solid for news, but a fraction of the leaders due to lower volume and slightly softer demo pulls (hovering at 300,000 A25-54).

Now, imagine Oprah and Gayle flipping the script. By doubling down to four hours and mirroring Today’s winning formula, CBS could unlock a revenue renaissance.

Ann Curry is rumored to be a favorite of Gayle King, who is eager to bring her into the project whether CBS inks the deal or whether she has to take it across the street.  It’s thought that Curry appeals to a slightly older morning television ‘legacy viewer’ while having the stature and journalistic gravitas to deliver elevated morning content consistently. 

Insiders project that if the expanded block claims the #1 spot—drawing 2.8 million total viewers and 700,000 in the demo—it could surge past $550 million annually. That’s a potential 120% jump from current levels, driven by doubled ad slots (think 16-20 minutes per hour across the block), premium pricing on Oprah-branded segments ($40+ CPMs for “Super Soul” tie-ins), and ancillary streams like streaming replays on Paramount+ or branded podcasts that siphon off another $50-75 million in digital ad play.

Wall Street whispers put the upside even higher: With Oprah’s Midas touch—her endorsements have historically boosted partner revenues by 15-25%—a top-ranked morning could eclipse $600 million by 2028, subsidizing CBS News‘ broader losses (pegged at $50 million yearly) and funding bold bets like AI-driven personalization for viewers.

It’s economic alchemy—turning Gayle’s gravitas and Oprah’s glow into a broadcast gold mine.

As one insider put it, with a wink: “This isn’t a plan—it’s a plot twist. Oprah and Gayle aren’t whispering about saving CBS Mornings. They’re about to own the dawn.”

Stay tuned, America. The sun’s coming up, and it’s got Oprah’s glow.

And if the Ellisons decline, CNNFox, Hulu, YouTube, Apple, Amazon Prime, and Netflix would be next to see that pitch deck, likely sparking a bidding war for the production.

 

It’s thought that Norah O’Donnell “could easily be brought into the production” says one source, explaining that much of the third and fourth hours of the new program will adopt formats similar to ABC’s The View and NBC’s Today. O’Donnell could be featured prominently among the five co-anchors: Winfrey, King, Rose, Curry, and O’Donnell.

 

Winfrey wants Nate Burleson to host a late night talk show produced by Harpo Productions. Winfrey would then syndicate the project to CBS as a replacement for The Steven Colbert Show’s time slot.  With a strong staff of writers, Winfrey thinks Burleson could deliver a strong nightly monologue, and with Harpo’s ability to book top-notch guests, the enterprise looks promising.  It’s unclear if the program would be filmed in New York or Los Angeles. 

1 Comment

  1. I friggin LOVE CBS MORNINGS and I’m a huge fan of Football so of course I love Nate and am absolutely in love with the Gayle King/Oprah Winfrey friendship! Also I love Vlad, Norah and ALL the CBS MORNINGS cast!!! 💚🙏💚🙏💚🙏💚🙏💚🙏💚🙏💚🙏🥰

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